Peer-reviewed publications
Legassie, Treva. “Site-responsive curating across a shifting field (or making and remaking and remaking an exhibition),” CEN Journal 1, no. 1 (forthcoming).
Legassie, Treva. “Countering colonial clock time and Indigenous flourishing across past, present and future,” Canadian Journal of Film and Media Studies (forthcoming).
Legassie, Treva. “Machinic Expressivity: Performative Encounters with proto-AI in the work of Nell Tenhaaf and Norman White,” in Robot Theatres: Collisions in Performing and Social Robotics, edited by Hilary Bergen, Eric Mullis, Benny Simon and Sydney Skybetter. London: Routledge, 2026.
Legassie, Treva. “From John Cage to the Outdoor School: Activating the ‘minor’ through Mycological Forays.” RACAR: The Sources of Research-Creation: Historical and Multicultural Perspectives 48, no. 3 (2023): 105-119.
Legassie, Treva, Matthew Robin-Nye and karen wong. “A Latento for Curation as Research-Creation,” in Media, Practice and Theory: tracking emergent thresholds of experience, edited by Nicole De Brabandere, 191-210. Wilmington: Vernon Press, 2023. Co-authored book chapter.
Legassie, Treva. “Playing, Performing, Policing: Navigating Avatar Expression in Second Life.” Video Game Art Reader 2, no. 1 (2018): 86-96.
Legassie, Treva. “Keepers of the Bio Art Laboratory: Mangling Methods and Curating Critically.” RACAR: What is Critical Curating 43, no.2 (2018): 73-88.
Legassie, Treva. “Whimsical Bodies, Performative Machines and Networked Nonhumans: Aesthetics and Affects of Robotic Art.” De Gruyter Open Cultural Studies 1 no.1 (2017): 514-521.
Legassie, Treva. “Capricious creatures: Animal behaviour as a model for robotic art.” Technoetic Arts: A Journal of Speculative Research 15 no.1 (2017): 53-60.
Legassie, Treva. “Skawennati’s TimeTraveller™: Deconstructing the Colonial Matrix in Virtual Reality.” ALTERNATIVE: An International Journal of Indigenous Peoples 12 no.3 (2016): 236-249.
Legassie, Treva. “Arcade Fever: Economics, Affect and Interface Design of the 1970s and 1980s Video Arcade.” JAWS: Journal of Arts Writing by Students 2 no.1 (2016): 43-50.
Peer-reviewed conference proceedings
Legassie, Treva. “Wind as critical ally: listening in a time of climate crisis.” In The Global Composition 2026: Connective resonances for (post)humans, edited by Sabine Breitsameter and Judith Bihr, 357-363. Darmstadt: Hochschule Darmstadt, 2026.
Legassie, Treva. “Three scores for a meeting point.” In The Global Composition 2026: Connective resonances for (post)humans, edited by Sabine Breitsameter and Judith Bihr, 302-305. Darmstadt: Hochschule Darmstadt, 2026.
Reviews and public scholarship
Podcast interviewee, “Place, Embodiment and Sound with Treva Legassie and Kristin Rodier,” Amplified: Reimagining the Sound of Scholarship, Amplify Podcast Network, December 2024.
Legassie, Treva. “Poetic Operations: Trans of Color Art in Digital Media by micha cárdenas,” Visual Studies, January 2024. 1-2.
Legassie, Treva. “Leonard Cohen: A Crack in Everything.” PUBLIC 57 (2018): 256-258.
Legassie, Treva. “Teresa Margolles, Mundos.” PUBLIC 56 (2017): 230-232.
Legassie, Treva. “Theaster Gates, How to Build a House Museum.” The Senses and Society 12 no.1 (2017): 123-125.
Legassie, Treva. “Avatar Activism.” PAUSE BUTTON 1 no.1 (2017).